THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his ft on the ground. He might be humiliated to parade his goodness. He takes advantage of ingenuity instead of divinity. Chaplin’s untidy adore lifetime indicates he felt he deserved whomever he needed; Keaton in private everyday living seems to are melancholic due to alcoholism, but an honest adequate sort with G

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